Azucena maizani biography template

Reyes - Interview to a «singer of street corners». Tania - «His life was a movie Tuegols - His story on Radio Argentina. When did tango went abroad? Humor and tango in the Argentine movies.

Azucena maizani biography template: Azucena Maizani (17 November –

Tango in silent movies. Tango on Radio. Alcohol, a sad tango. Aviation in tango. Azucena acted in cafes and went to Brazil in to record. In November by the initiative of Dorita Davis, a festival was made in her celebration at the Astral Theater, in which she sang in front of a crowd that welcomed and applauded her enthusiastically. In the next couple of years she continued to sing even up until her lonesome death on 15 Januaryafter she suffered a hemiplegia.

Azucena maizani biography template: Azucena Maizani was one

InAzucena Maizani married Juan Scarpino, but the couple separated shortly after the death of their only son. The following year, she teamed up with violinist Roberto Zerrillo, with whom she went on tour inside of the country, and later throughout Europe. In total, Azucena recorded over works. Azucena Maizani singing with accompaniment.

Recorded in Buenos Aires, — Se Va la Vida: Tango Ladies. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. But in she underwent a new love and financial frustration. Her new couple and artistic manager committed suicide when it came to light that he had cheated her.

This incident temporarily drifted her into obscurity,but afterwards when the details were disclosed, she re-established herself in the public eye.

Azucena maizani biography template: Azucena Maizani also wrote

One month later she appeared in the final scene at a theater play achieving an outstanding success, the room was full and the audience were mostly women touched by her recent disgrace. In she made a long tour of the United States, and for the Spanish speaking community she shot the movie Di que me quieres whose musical direction was in charge of Terig Tucciwho had conducted the orchestral accompaniment to Carlos Gardel on his films.

In the 40s she entered a decline, her presence weakens, however, she made some recordings, tours and local performances, but her name already belonged to the past. In she had a stroke and she died almost forgotten on January 15, She was a good friend of Carlos Gardel 's. Her output is more than recordings. Between and she was accompanied by Francisco Canaro orchestra.

Subsequently, always for Odeon label, she was accompanied on piano by Enrique Delfino and the guitarist Manuel Parada. On some of these numbers the violinist Antonio Rodio is featured. Meanwhile, after her long hours of manual labor, she sought out ways to pursue her dreams, and sing. In the early s, the tango scene was exploding. This musical form had originated in low-income neighborhoods where immigrants and the Afro-Argentinean descendants of enslaved people had mixed their musical traditions to create something vibrant and new.

It was a music of pain and longing, poverty and displacement, sorrow and passion and desire. At first, the upper class had treated the tango with disdain, but now it had grown fashionable and was featured in an ever-growing scene of swanky cabarets. In this atmosphere of opportunity and change, Maizani approached leading musicians of the time, such as Francisco Canaro, and asked them to audition her and give her a chance to perform.

Within a few years, she had launched a long and storied career.

Azucena maizani biography template: Azucena Maizani (born on 17

Maizani performed in different costumes. She sometimes wore a simple dress, in a female presentation. She still wore lipstick and eye makeup; passing was not the goal, and the presence of feminine elements in her masculine performances created its own kind of gender defiance. She married inbut divorced her husband, Juan Scarpino, after their only child died.

After this, she was in a relationship with a tango violinist, Roberto Zerrillo, who was also her creative collaborator. They toured and performed extensively together.