Berenice abbott biography of barack

Within a week of his first backpack trip into the high country, he bought his first SLR, a Pentax Spotmatic and began to take photography classes. His degree is in electrical engineering and he worked in that field for three years. Working for the defense industry became more of a contradiction with his political views initiating a search for a desperately needed a creative outlet.

For the next twenty-eight years he worked as a glassblower. His work was shown in galleries across the United States, and the Corning Museum included a piece of his in their collection of international glassblowers. The two different mediums, are connected by light. The magic of glass is in its ability to transmit and reflect light while photography is the capturing of light.

During the years he lived in the San Francisco Bay Area, throughhe amassed images of owner decorated vehicles. He is currently a member of the Portland Photographers Forum and the Interim Group, a critique group originally formed by the influential photographer Minor White. Statement I see the world differently now. The camera, which narrows the field of vision, has actually expanded my vision.

When I realized I was viewing reality as if it were a series of photographs, I initially questioned that perspective. Now, I know my perception is enhanced and enriched from my pursuit of photography. An already dynamic and interesting world has become more so. I am delighted by quality of light, vibrancy of color, unexpected and often unnoticed berenice abbott biography of barack.

The stunning structure of an orchid, the intricate ornamentation on an older building, or dishes stacked in a dish drainer are fascinating to me. Abstractions and patterns are richer and invite investigation. My subject matter is limitless. Anything that appeals to my eye is fair game for my camera. She practices experimental photography, pinhole and installations that involve the public.

She participates in various group exhibitions and leads artistic workshops and initiations to pinhole and experimental and analog photography. Her practice revolves around photography, people and micro-publishing. Fascinated by portraits, she creates series, collections, summons people. She questions identity, body, social relationships. For her, the picture is a transaction, an intimate exchange that requires a relationship of trust.

William Castellana. About the Series Street photography, in terms of the "unposed," is a practice that serves the compelling need to distill the ebb and flow of visually complex interactions into static form - forever fixed and with meaning. It is this desire to understand more deeply the rhythms of humanity that takes me to the streets in search of clarity.

In their simplest sense, the images in this series form a social document of a people and a place; namely, a sect of Hasidic Jews known as the Satmars. After WWII, Teitelbaum settled in Williamsburg, Brooklyn to lay the groundwork for a religious ideology that would launch one of the largest Hasidic movements in the world. Since Teitelbaum's death, the Satmar community has grown exponentially and continues to thrive economically and spiritually through closely observed traditions and social mechanisms.

Between the fall of andI set out to photograph my neighbors in the one-half square mile area below Division Avenue, which demarcates the religious from the secular communities of Williamsburg, Brooklyn. The photographs in this book are constrained to the "neighborhood view," since my outsider status made access to a more privileged look impossible.

As an outsider, what I witnessed through my camera during that period was forever new and unique compared to my everyday routine and what the rest of the city's inhabitants were pulsing to. For me, street photography is about the preservation of time and place - a kind of poetry that distills both in equal measure. Jon Kolkin. Jon Kolkin has rapidly drawn the attention of the art world due to his ability to look at his subject matter from a very fresh, original and unique vantage point.

He is known for his minimalist style, stripping away all distractions and focusing on the sole of his subject matter. Each body of work typically contains numerous plots and subplots, often with a socially relevant underlying theme. Like many artists before him, Jon has had a love affair with both the arts and the sciences. He expanded his artistic horizons, becoming a nationally recognized clarinetist who toured Europe with the National Youth Symphony.

After college he received a degree in Medicine. However, he never abandoned his love for the arts, taking photography courses at night while simultaneously completing his residency in Orthopedics. Jon is also a trained health coach who is nationally recognized as a guest speaker and educator on topics related to finding wisdom and a healthy balance within our lives.

Erberto Zani. Erberto Zani Parma, Italy, is a journalist and documentary photographer who specializes in human rights issues. Graduate at school of applied Arts Paolo Toschi in graphic design, after the studies in History of Art at University of Parma he worked as a photographer in advertisement sector Journalist and photographer for the newspaper Gazzetta di Parma and editor in chief for some local magazines, he becomes freelance in Actually, Zani is working on two long term documentary projects, both around the world: Dark World, about the illegal mineral's extraction, and Survivors, about acid attack victims.

Awarded in several international contests, his images are published on several books and dozens of international magazines. He lives in Basel, Switzerland. Books Urban Visions ed. Blurb,Elemental Fashion ed. Blurb,Exodus ed. Blurb,Kied Pologo ed. Stamperia,Aftermath ed. Stamperia,Black World ed. Stamperia,Maha Kumbh Mela ed.

Berenice abbott biography of barack: Born in in Wichita, Kansas, McCausland

Stamperia,Tsiry ed. Stamperia,Babanagar-Colombia ed. Stamperia,Sahel ed. Stamperia,Hope ed. Stamperia,Haiti, fragments ed. Stamperia,Drops of Life ed. Publiprint, Abbott was "menaced by bums, heckled by suspicious crowds, and chased by policemen. A man asked her why a nice girl was visiting such a bad area. Abbott replied, "I'm not a nice girl.

I'm a photographer. When funding ran out, however, she had to abandon the project. Abbott continued working during the s and s, though largely outside the spotlight. She became preoccupied during this period with scientific photography, hoping to record evidence of the laws of physics and chemistry, among other phenomena. She took courses in chemistry and berenice abbott biography of barack to expand her understanding.

Again her iron determination served her well. The scientific community looked on her efforts with suspicion, both because of its skepticism about photography's usefulness and its hostility toward women who ventured into the virtually all-male enclave of science. She spent years trying to convince scientists and publishers that texts and journals could be illustrated with photographs, fighting the conventional belief that drawings were sufficient.

In all, as Abbott told an interviewer, the project was a minefield of sexism: "When I wanted to do a book on electricity, most scientists … insisted it couldn't be done. When I finally found a collaborator, his wife objected to his working with a woman. You have no idea what I went through because I was a woman. Political events rescued Abbott when the Soviet Union launched the first space satellite ininitiating the "space race.

In Abbott was invited to join the Massachusetts Institute of Technology 's Physical Science Study Committee, which was charged with the task of improving high school science education. At last Abbott was vindicated in her insistence on the value of photography to science. Her biographer, Hank O'Neal, has said that her scientific photos were her best work.

This is a subject of some debate, but many agree that she was able to uniquely demonstrate the beauty and grace in the path of a bouncing ball, the pattern of iron filings around a magnet, or the formation of soap bubbles. In her later years Abbott did some photography around the country, in particular documenting U. Route l, a highway along the East Coast from Florida to Maine.

During this project she fell in love with Maine and bought a small house in the woods of that state, where she lived for the rest of her life. As the popularity of photography grew in the s and her life's work became recognized, Abbott was visited there by a string of admirers, photography students, and journalists. She became something of a legend in her own time, honored as a pioneer woman artist who conquered a male-dominated field thanks to "the vinegar of her personality and the iron of her character.

Abbott, Berenice gale. The Scribner Encyclopedia of American Lives. Learn more about citation styles Citation styles Encyclopedia. Berenice Abbott gale. Berenice Abbott Bernice Abbott was one of the most gifted American photographers of the 20th century. Photography became her calling In Paris Abbott studied sculpture, but she ultimately found it unsatisfying.

Championed work of Eug'e Atget While her star was on the rise, Abbott "discovered" some pictures of Paris that she called "the most beautiful photographs ever made. Took on scientific community Abbott continued working during the s and s, though largely outside the spotlight. More From encyclopedia. About this article Berenice Abbott All Sources.

Updated Aug 13 About encyclopedia. Berenice 28 CE—after 80 CE. Berenguer, Amanda —. Berenger, Tom ?

Berenice abbott biography of barack: Berenice Abbott (—) was an American

Berengarius of Tours. Berengario Da Carpi Giacomo. Berengario da Carpi. Berengaria of Provence — Berengaria of Navarre c. Berengaria of Castile b. Berengaria of Castile — During this time, she expanded her subject material to encompass scientific images. She later moved to Maine in and progressed there as a science photographer.

Berenice abbott biography of barack: Born in Springfield, Ohio, Bernice

She approached the world methodically just like she had done with the images and portraits of New York. In addition to her visual arts work, she published poetry on an experimental literary journal. Disclaimer Privacy Policy. While she continued to take photographs of the city, she hired assistants to help her in the field and in the office.

This arrangement allowed Abbott to devote all her time to producing, printing, and exhibiting her photographs. By the time she resigned from the FAP inshe had produced photographs that were then deposited at the Museum of the City of New York. Abbott's project was primarily a sociological study embedded within modernist aesthetic practices.

She sought to create a broadly inclusive collection of photographs that together suggest a vital interaction between three aspects of urban life: the diverse people of the city; the places they live, work and play; and their daily activities. It was intended to empower people by making them realize that their environment was a consequence of their collective behavior and vice versa.

Moreover, she avoided the merely pretty in favor of what she described as "fantastic" contrasts between the old and the new, and chose her camera angles and lenses to create compositions that either stabilized a subject if she approved of itor destabilized it if she scorned it. Abbott's ideas about New York were highly influenced by Lewis Mumford 's historical writings from the early s, which divided American history into a series of technological eras.

Abbott, like Mumford, was particularly critical of America's "paleotechnic era", which, as he described it, emerged at the end of the American Civil Wara development other historians have dubbed the Second Industrial Revolution. Like Mumford, Abbott was hopeful that, through urban planning efforts aided by her photographsAmericans would be able to wrest control of their cities away from paleotechnic forces and bring about what Mumford described as a more humane and human-scaled, "neotechnic era".

Abbott's agreement with Mumford can be seen especially in the ways that she photographed buildings that had been constructed in the paleotechnic era — before the advent of urban planning. Most often, buildings from this era appeared in Abbott's photographs in compositions that made them look downright menacing. McCausland was an ardent supporter of Abbott, writing several articles for the Springfield Daily Republicanas well as for Trend and New Masses the latter under the pseudonym Elizabeth Noble.

In addition, McCausland contributed the captions for Changing New York [ 30 ] which was published in Although well-received, the final book showed important differences from the one initially envisioned by Abbott and McCausland, especially with respect to captions and sequencing. Three Photographic Gazeswhere author Jerome Saltz analyzes historicist perspectives and considers their aesthetic implications: " InHenry-Russell Hitchcock asked Abbott to photograph two subjects: antebellum architecture and the architecture of H.

Two decades later, Abbott and McCausland traveled US 1 from Florida to Maine, where Abbott photographed small towns and growing automobile-related architecture. Shortly after the trip, Abbott underwent a lung operation. She was told she should move from New York City due to air pollution. Later, she moved to nearby Monson and remained in Maine until her death in Most of her work is shown in the United States, but a number of photographs are shown in Europe.

InAbbott was commissioned by Hudson D. Selections from her work in Westwood became part of a touring exhibition, "Lumbering and Logging in the Pine Forest of California. Abbott was part of the straight photography movement, [ 36 ] which stressed the importance of photographs being unmanipulated in both subject matter and developing processes.

Most of Abbott's work was influenced by what she described as her unhappy and lonely childhood. This gave her the strength and determination to follow her dreams. Throughout her career, Abbott's photography was very much a reflection of the berenice abbott biography of barack in development of technology and society. Her works documented and extolled the New York landscape.

This was guided by her belief that a modern-day invention such as the camera deserved to document the 20th century. In addition to her photography, Abbott co-founded a company, the "House of Photography," which developed, promoted and sold photographic equipment and devices from to Owing to poor marketing, the House of Photography quickly lost money, and with the deaths of two designers, the company closed.

Abbott's style of straight photography helped her make important contributions to scientific photography. She once stated, "We live in a world made by science. There needs to be a friendly interpreter between science and the layman. I believe photography can be this spokesman, as no other form of expression can be. From toshe produced a series of photographs for a high-school physics textbook, developed by the Physical Science Study Committee project based at MIT to improve secondary school physics teaching.

Berenice abbott biography of barack: Nothing in Berenice Abbott's background indicated

Her work included images of wave patterns in water and stroboscopic images of moving objects, such as Bouncing ball in diminishing arcswhich was featured on the cover of the textbook. Between andshe made a series of photographs for Educational Services Inc. They were subsequently presented by the Smithsonian Institution in an exhibition titled Image of Physics.

The film Berenice Abbott: A View of the 20th Century, which showed of her black and white photographs, suggests that she was a "proud proto-feminist"; someone who was ahead of her time in feminist theory. Before the film was completed she questioned, "The world doesn't like independent women, why, I don't know, but I don't care. She identified publicly as a lesbian.

Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikiquote Wikidata item. American photographer — Springfield, OhioUS. Monson, MaineUS. Early years [ edit ]. Trip to Europe, photography, and poetry [ edit ]. Changing New York [ edit ].

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